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Never Say Never Again Dvd Photo Gallery Extra Never Say Never Again Arab Market

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1983 James Bond film directed by Irvin Kershner

Never Say Never Over again
A poster at the top of which are the words "SEAN CONNERY as JAMES BOND in". Below this is a head and shoulders image of man in a dinner suit. Inset either side of him, are smaller scale depictions of two women, one blonde and one brunette. Underneath the picture are the words "NEVER SAY NEVER AGAIN"

British cinema poster by Renato Casaro
Directed by Irvin Kershner
Screenplay by Lorenzo Semple Jr.
Story by
  • Kevin McClory
  • Jack Whittingham
  • Ian Fleming
Based on Thunderball
by Ian Fleming
Produced by Jack Schwartzman
Starring
  • Sean Connery
  • Klaus Maria Brandauer
  • Max von Sydow
  • Barbara Carrera
  • Kim Basinger
  • Bernie Casey
  • Alec McCowen
  • Edward Fox
Cinematography Douglas Slocombe
Edited by Ian Crafford
Music by Michel Legrand

Production
company

Taliafilm
Distributed past
  • Warner Bros. (U.S.)
  • Columbia-EMI-Warner Distributors (U.One thousand.)[1]

Release dates
  • seven October 1983 (1983-10-07) (U.S.)
  • 15 Dec 1983 (1983-12-15) (U.1000.)

Running fourth dimension

 134 minutes
Countries
  • United Kingdom
  • United states
Language English
Budget $36 million
Box office $160 million[2]

Never Say Never Again is a 1983 spy picture show directed past Irvin Kershner. The film is based on the 1961 James Bond novel Thunderball by Ian Fleming, which in turn was based on an original story past Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted in a 1965 movie of the same name. Never Say Never Again was non produced past Eon Productions, but by Jack Schwartzman's Taliafilm. The film was executive produced by Kevin McClory, 1 of the original writers of the Thunderball storyline. McClory retained the filming rights of the novel following a long legal battle dating from the 1960s.

Sean Connery played the role of Bail for the 7th and final time, mark his return to the character 12 years later on Diamonds Are Forever. The film's title is a reference to Connery'south reported annunciation in 1971 that he would "never" play that role again. As Connery was 52 at the time of filming, although nearly iii years younger than incumbent Bond Roger Moore, the storyline features an crumbling Bond who is brought back into action to investigate the theft of 2 nuclear weapons by SPECTRE. Filming locations included France, Espana, the Bahama islands and Elstree Studios in the Britain.

Never Say Never Once again was released by Warner Bros. on vii Oct 1983, and opened to positive reviews, with the acting of Connery and Klaus Maria Brandauer singled out for praise every bit more emotionally resonant than the typical Bond films of the day. The film was a commercial success, grossing $160 1000000 at the box function, although less overall than the Eon-produced Octopussy, released earlier the same year.

Plot [edit]

After MI6 amanuensis James Bail, 007, fails a routine training exercise, his superior, 1000, orders Bond to a health clinic outside London to become back into shape. While there, Bond witnesses a mysterious nurse named Fatima Chroma giving a sadomasochistic beating to a patient in a nearby room. The man's face is bandaged and after Chroma finishes her beating, Bail sees the patient using a machine which scans his centre. Bail is seen by Blush, who sends an assassin, Lippe, to kill him in the clinic gym, only Bail manages to impale Lippe.

Blush and her charge, a heroin-fond United States Air Force pilot named Jack Petachi, are operatives of SPECTRE, a criminal organisation run past Ernst Stavro Blofeld. Petachi has undergone an functioning on his right heart to go far match the retinal pattern of the US President, which he uses to circumvent iris recognition security at RAF Station Swadley, an American military base in England. While doing and then, he replaces the dummy warheads of two AGM-86B cruise missiles with alive nuclear warheads; SPECTRE then steals the warheads, intending to extort billions of dollars from NATO governments. Blush murders Petachi by causing his car to crash and explode, covering SPECTRE's tracks.

Foreign Secretary Lord Ambrose orders a reluctant Grand to reactivate the double-0 section, and Bail is tasked with tracking down the missing weapons. Bond follows a lead to the Bahama islands where he meets Domino Petachi, the airplane pilot's sister, and her wealthy lover Maximillian Largo, who is SPECTRE's summit amanuensis.

Bond is informed by Nigel Small-Fawcett of the British High Commission that Largo's yacht is now heading for Squeamish, France. In that location, Bond joins forces with his French contact Nicole, and his CIA counterpart and friend, Felix Leiter. Bond goes to a health and dazzler heart where he poses as an employee and, while giving Domino a massage, is informed by her that Largo is hosting an event at a casino that evening. At the charity event, Largo and Bond play a 3-D video game called Domination; the losing actor of each plow receives a serial of electric shocks of increasing intensity in proportion to the amount wagered. After losing a few games, Bond ultimately wins, and while dancing with Domino, he informs her that her brother had been killed on Largo's orders. Bail returns to his villa to find Nicole killed by Blush. Subsequently a vehicle chase on his Q-co-operative motorcycle, Bail finds himself in an ambush and is eventually captured by Blush. She admits that she is impressed with him, and forces Bail to declare in writing that she is his "Number One" sexual partner. Bond distracts her with promises, then uses his Q-branch-event fountain pen gun to kill Blush with an explosive dart.

Bond and Leiter attempt to board Largo's motor yacht, the Flight Saucer, in search of the missing nuclear warheads. Bond finds Domino. He attempts to make Largo jealous by kissing Domino in front of a two-fashion mirror. Largo becomes enraged, traps Bail and takes him and Domino to Palmyra, Largo'southward base of operations of operations in North Africa. Largo coldly punishes Domino for her betrayal by selling her to some passing Arabs. Bond subsequently escapes from his prison house and rescues her.

Domino and Bond reunite with Leiter on a U.Due south. Navy submarine. Afterward the kickoff warhead is found and defused in Washington, D.C., they runway Largo to a location known as the Tears of Allah, below a desert oasis on the Ethiopian coast. Bond and Leiter infiltrate the underground facility and a gun battle erupts betwixt Leiter'south team and Largo's men in the temple. In the confusion, Largo makes a getaway with the 2d warhead. Bail catches and fights Largo underwater. But as Largo tries to use a spear gun to shoot Bond, he is shot with a spear gun by Domino, taking revenge for her brother'south decease. Bond so defuses the nuclear flop underwater, saving the world. Bond retires from duty and returns to the Bahamas with Domino, vowing never again to exist a underground agent.

Cast [edit]

  • Sean Connery as James Bail, MI6 agent 007.
  • Klaus Maria Brandauer equally Maximillian Largo, a billionaire businessman and SPECTRE Number one, SPECTRE's senior-nearly agent. He is based on the grapheme Emilio Largo in Thunderball
  • Max von Sydow as Ernst Stavro Blofeld, the head of SPECTRE.
  • Barbara Carrera as Fatima Blush; SPECTRE Number 12, assigned to hunt down and impale Bond. She is based on Fiona Volpe in Thunderball.
  • Kim Basinger as Domino Petachi, sister of Jack Petachi and girlfriend/mistress of Maximillian Largo. The surname was changed to Petrescu for the Italian release of the film.
  • Bernie Casey equally Felix Leiter, Bail's CIA contact and friend.
  • Alec McCowen as "Q" Algy (Algernon), Double-0 section Quartermaster who issues specialised equipment to Bond.
  • Edward Fox as "M", Bond's superior at MI6.
  • Pamela Salem as Miss Moneypenny, Yard's secretary.
  • Rowan Atkinson equally Nigel Small-Fawcett, Strange Part representative in the Bahamas.
  • Valerie Leon as Lady in Bahamas, whom Bond seduces.
  • Milow Kirek as Dr. Kovacs, a nuclear physicist working for SPECTRE.
  • Pat Roach every bit Lippe, a SPECTRE assassinator who tries to impale Bond at the dispensary.
  • Anthony Sharp equally Lord Ambrose, Strange Secretary who orders M to reactivate the Double-0 section.
  • Prunella Gee every bit Nurse Patricia Fearing, a physiotherapist at the clinic.
  • Gavan O'Herlihy as Helm Jack Petachi, a USAF pilot used by SPECTRE to steal the nuclear missiles, and Domino Petachi's brother.

Production [edit]

Never Say Never Once more had its origins in the early 1960s, following the controversy over the 1961 Thunderball novel.[3] Fleming had worked with contained producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bond film, to be chosen Longitude 78 Westward,[4] which was subsequently abandoned because of the costs involved.[5] Fleming, "ever reluctant to permit a good idea prevarication idle",[5] turned this into the novel Thunderball, for which he did not credit either McClory or Whittingham;[vi] McClory and so took Fleming to the High Courtroom in London for breach of copyright[7] and the thing was settled in 1963.[4] Later on Eon Productions started producing the Bond films, information technology subsequently fabricated a deal with McClory, who would produce Thunderball, and so not make whatever further version of the novel for a period of ten years post-obit the release of the Eon-produced version in 1965.[8]

In the mid-1970s McClory again started working on a project to bring a Thunderball adaptation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to piece of work on a script.[9] A lawsuit with Eon Productions ended in a ruling that McClory owned the sole rights to SPECTRE and Blofeld, forcing Eon to remove them from The Spy Who Loved Me (1977).[10] The script initially focused on SPECTRE shooting downward airplanes over the Bermuda Triangle before taking over Liberty Island and Ellis Island equally staging areas for an invasion of New York Metropolis through the sewers under Wall Street. The script was purchased by Paramount Pictures in 1978.[ten] The script ran into difficulties after accusations from Danjaq and United Artists that the projection had gone beyond copyright restrictions, which confined McClory to a pic based only on the novel Thunderball, and once again the project was deferred.[8]

Towards the end of the 1970s developments were reported on the project nether the name James Bond of the Secret Service,[viii] simply when producer Jack Schwartzman became involved in 1980 and cleared a number of the legal issues that still surrounded the project[10] [3] he decided against using Deighton's script. The project returned to the original nuclear terrorism plot of the original Thunderball in order to avert another lawsuit from Danjaq and after McClory saw Jimmy Carter mention the issue in a 1980 presidential fence with Ronald Reagan.[eleven] Schwartzman brought on board scriptwriter Lorenzo Semple, Jr.[12] to work on the screenplay, who Schwartzman wanted to make the screenplay "somewhere in the middle" between his campier projects such as Batman and his more serious projects such as Iii Days of the Condor.[x] Connery was unhappy with some aspects of the work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; still, Mankiewicz declined every bit he felt he was nether a moral obligation to Eon'southward Albert R. Broccoli.[13] Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cut out the "big numbers" from his script to salvage on the upkeep.[10] Connery then hired British television writers Dick Clement and Ian La Frenais[11] to undertake re-writes, although they went uncredited for their efforts despite much of the concluding shooting script existence theirs. This was because of a restriction by the Writers Guild of America.[14] Cloudless and La Frenais continued rewriting during the production, frequently altering it from solar day to 24-hour interval.[10]

The film underwent one terminal modify in title: after Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bond again.[9] Connery's wife, Micheline, suggested the title Never Say Never Once more, referring to her husband's vow[fifteen] and the producers acknowledged her contribution by list on the end credits "Title Never Say Never Again by Micheline Connery". A final attempt by Fleming'south trustees to cake the motion picture was made in the High Court in London in the leap of 1983, just this was thrown out by the court and Never Say Never Again was permitted to continue.[16]

Cast and crew [edit]

When producer Kevin McClory had first planned the film in 1964, he held initial talks with Richard Burton for the function of Bond,[17] although the projection came to zero considering of the legal issues involved. When the Warhead projection was launched in the late 1970s, a number of actors were mentioned in the merchandise press, including Orson Welles for the part of Blofeld, Trevor Howard to play Thou and Richard Attenborough as director.[9]

In 1978, the working title James Bail of the Secret Service was being used and Connery was in the frame one time again, potentially going head-to-head with the next Eon Bail flick, Moonraker.[18] By 1980, with legal bug again causing the project to founder,[xix] Connery thought himself unlikely to play the office, as he stated in an interview in the Sunday Limited: "When I showtime worked on the script with Len I had no thought of actually being in the film."[20] When producer Jack Schwartzman became involved, he asked Connery to play Bond; Connery agreed, negotiating a fee of $3 million ($8 million in 2021 dollars[21]), casting and script blessing, and a percentage of the profits.[22] Subsequent to Connery reprising the role, Semple altered the script to include several references to Bond's advancing years – playing on Connery beingness 52 at the fourth dimension of filming[22] – and academic Jeremy Black has pointed out that there are other aspects of age and disillusionment in the film, such equally the Shrubland's porter referring to Bond's machine ("They don't make them like that anymore"), the new M having no use for the 00 section and Q with his reduced budgets.[23] Originally Semple wanted to emphasize Bail'south historic period even farther, writing the script to include him in semi-retirement working aboard a Scottish line-fishing trawler hunting Soviet Navy submarines in the N Body of water.[10] Connery's casting was formally appear in March 1983. He trained with Steven Seagal to help go far shape for the production.[ten]

For the main villain in the moving-picture show, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the pb of the 1981 Academy Award-winning Hungarian pic Mephisto.[24] Through the same route came Max von Sydow every bit Ernst Stavro Blofeld,[25] although he withal retained his Eon-originated white cat in the pic.[26] For the femme fatale, director Irvin Kershner selected sometime model and Playboy cover girl Barbara Carrera to play Fatima Blush – the name coming from one of the early scripts of Thunderball.[14] Carrera said she modeled her performance on the Hindu goddess Kali, and to "mix that in with a piffling bit of black widow and a lilliputian bit of praying mantis."[10] Carrera's performance as Fatima Blush earned her a Golden Earth Award nomination for Best Supporting Actress,[27] which she lost to Cher for her role in Silkwood.[28] Micheline Connery, Sean's wife, had met up-and-coming actress Kim Basinger at the Grosvenor House Hotel in London and suggested her to Connery, and he agreed after Dalila Di Lazzaro refused the Domino office. For the role of Felix Leiter, Connery spoke with Bernie Casey, maxim that as the Leiter role was never remembered by audiences, using a black Leiter might make him more memorable.[24] Others bandage included comedian Rowan Atkinson, who would later parody Bond in his role of Johnny English in 2003.[29] Atkinson'south character was added by Clement and La Frenais later on the production had already started in order to provide the pic with a comic relief.[10] Edward Fox was bandage as Chiliad in gild to portray the grapheme as a young technocrat in dissimilarity to the older portrayal by Bernard Lee, and to parody the Thatcher ministry's budget cuts to government services.[10]

Connery wanted to convince Richard Donner to direct the pic, but after meeting Donner decided he disliked the script.[10] Quondam Eon Productions' editor and director of On Her Majesty'due south Hugger-mugger Service, Peter R. Hunt, was approached to direct the flick simply declined due to his previous piece of work with Eon.[30] Irvin Kershner, who had previously worked with Connery on A Fine Madness (1966), and had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were too appointed, including first assistant director David Tomblin, director of photography Douglas Slocombe, 2d unit managing director Mickey Moore and production designers Philip Harrison and Stephen Grimes.[24] [31]

Filming [edit]

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted as Largo's transport, the Flying Saucer

Filming for Never Say Never Again began on 27 September 1982 on the French Riviera for two months[fourteen] before moving to Nassau, the Commonwealth of the bahamas in mid-Nov[12] where filming took place at Clifton Pier, which was also i of the locations used in Thunderball.[32] Largo's Palmyran fortress was actually historic Fort Carré in Antibes.[33] Largo'due south ship, the Flying Saucer, was portrayed past the yacht Kingdom 5KR, then endemic by Saudi billionaire Adnan Khashoggi and chosen the Nabila.[34] The underwater scenes were filmed past Ricou Browning, who had coordinated the underwater scenes in the original Thunderball.[10] Principal photography finished at Elstree Studios where interior shots were filmed.[32] Elstree also housed the Tears of Allah underwater cave, which took three months to construct, while the Shrublands health spa was filmed at Luton Hoo.[32] [10] Most of the filming was completed in the spring of 1983, although there was some additional shooting during the summer of 1983.[12]

Production on the film was troubled,[35] with Connery taking on many of the production duties with assistant director David Tomblin.[32] Director Irvin Kershner was critical of producer Jack Schwartzman, maxim that, while he was a good businessman, "he didn't have the experience of a film producer".[32] Subsequently the production ran out of money, Schwartzman had to fund further production out of his own pocket and later admitted he had underestimated the amount the film would price to make.[35] At that place was tension on gear up betwixt Schwartzman and Connery, who at times barely spoke to each other. Connery was unimpressed with the perceived lack of professionalism behind the scenes and was on tape as proverb that the whole production was a "bloody Mickey Mouse operation!"[36]

Steven Seagal, who was a martial arts instructor for this film, broke Connery's wrist while training. On an episode of The Tonight Show with Jay Leno, Connery revealed he did not know his wrist was cleaved until over a decade later.[37]

Music [edit]

James Horner was both Kershner's and Schwartzman's first choice to compose the score afterwards being impressed with his work on Star Expedition II: The Wrath of Khan. Horner, who worked in London for most of the time, wound up unavailable according to Kershner, though Schwartzman afterward claimed Sean Connery vetoed the American. Frequent Bail composer John Barry was invited, but declined out of loyalty to Eon.[38] The music for Never Say Never Again was written by Michel Legrand, who composed a score like to his work as a jazz pianist.[39] The score has been criticised every bit "anachronistic and misjudged",[32] "bizarrely intermittent"[31] and "the most disappointing characteristic of the motion picture".[24] Legrand as well wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman — who had likewise worked with Legrand on the Academy Laurels-winning song "The Windmills of Your Listen"[40] — and was performed by Lani Hall[24] subsequently Bonnie Tyler, who disliked the song, had reluctantly declined.[41]

Phyllis Hyman also recorded a potential theme vocal, written by Stephen Forsyth and Jim Ryan, simply the song — an unsolicited submission — was passed over, given Legrand's contractual obligations with the music.[42]

Legal substitutions [edit]

The outlines of row upon row of "007 007 007 007 007" fill the screen. A view of countryside, heavily obstructed can be seen in through the gaps.

Many of the elements of the Eon-produced Bond films were non present in Never Say Never Again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly there was no "James Bail Theme" to use, although no effort was made to supply another melody.[12] A pre-credits sequence was filmed just not used;[43] instead the film opens with the credits run over the top of the opening sequence of Bond on a grooming mission.[32]

Release and reception [edit]

Never Say Never Again opened on 7 October 1983 in one,550 theatres grossing an October record $ten,958,157 over the four-day Columbus Day weekend[2] which was reported to be "the best opening record of any James Bail film" up to that betoken[44] surpassing Octopussy 's $viii.9 million from June that year. The film had its United kingdom premiere at the Warner West End movie theater in Leicester Square on 14 December 1983.[32] Worldwide, Never Say Never Again grossed $160 meg,[45] which was a solid return on the budget of $36 1000000.[45] The picture show ultimately earned less than Octopussy which grossed $187.5 1000000.[46] [47] It was the first James Bond picture show to be officially released in the Soviet Union, premiering in the summer of 1990 with a gala in Moscow.[48]

Warner Bros. released Never Say Never Again on VHS and Betamax in 1984,[49] and on laserdisc in 1995.[fifty] Afterward Metro-Goldwyn-Mayer purchased the distribution rights in 1997 (see Legacy, below), the company has released the motion-picture show on both VHS and DVD in 2001,[51] and on Blu-ray in 2009.[52]

Gimmicky reviews [edit]

Never Say Never Once more was broadly welcomed and praised by the critics: Ian Christie, writing in the Daily Limited, said that Never Say Never Once more was "one of the better Bonds",[53] finding the film "superbly witty and entertaining, ... the dialogue is crisp and the fight scenes imaginative".[53] Christie also idea that "Connery has lost none of his charm and, if annihilation, is more than appealing than always as the stylish resolute hero".[53] David Robinson, writing in The Times also full-bodied on Connery, saying that: "Connery ... is dorsum, looking inappreciably a day older or thicker, and still outclassing every other exponent of the role, in the goodnatured throwaway with which he parries all the sex and violence on the way".[54] For Robinson, the presence of Connery and Klaus Maria Brandauer every bit Maximillian Largo "very well-nigh make it all worthwhile."[54] The reviewer for Time Out summed up Never Say Never Again proverb "The action'due south good, the photography excellent, the sets decent; only the real clincher is the fact that Bond is again played past a homo with the correct stuff."[55]

Derek Malcolm in The Guardian showed himself to be a fan of Connery'south Bail, maxim the film contains "the best Bond in the business",[56] but yet did not find Never Say Never Again any more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very near to matching Dr. No or From Russian federation with Love".[56] Malcolm'south primary result with the film was that he had a "feeling that a constant struggle was going on between a desire to make a huge box-role success and the endeavor to make character as important as stunts".[56] Malcolm summed up that "the mix remains obstinately the aforementioned – upwardly to scratch only not surpassing it".[56] Writing in The Observer, Philip French noted that "this curiously muted film ends upward making no contribution of its ain and inviting damaging comparisons with the original, hyper-confident Thunderball".[57] French concluded that "like an hour-glass total of damp sand, the picture moves with increasing slowness as information technology approaches a confused climax in the Persian Gulf".[57]

Writing for Newsweek, critic Jack Kroll thought the early part of the movie was handled "with wit and style",[58] although he went on to say that the director was "hamstrung by Lorenzo Semple'south script".[58] Richard Schickel, writing in Time magazine praised the picture show and its bandage. He wrote that Klaus Maria Brandauer'south character was "played with silky, neurotic charm",[59] while Barbara Carrera, playing Fatima Blush, "deftly parodies all the fatal femmes who accept slithered through Bond'south career".[59] Schickel'south highest praise was saved for the return of Connery, observing "information technology is proficient to meet Connery's grave stylishness in this function again. It makes Bond's cynicism and opportunism seem the product of genuine worldliness (and world weariness) as opposed to Roger Moore's mere twirpishness."[59]

Janet Maslin, writing in The New York Times, was broadly praising of the film, maxim she thought that Never Say Never Over again "has noticeably more than humor and graphic symbol than the Bond films commonly provide. It has a marvelous villain in Largo."[lx] Maslin as well thought highly of Connery in the office, observing that "in Never Say Never Over again, the formula is broadened to accommodate an older, seasoned human being of much greater stature, and Mr. Connery expertly fills the bill."[threescore] Writing in The Washington Post, Gary Arnold was fulsome in his praise, saying that Never Say Never Again is "one of the all-time James Bond adventure thrillers ever made",[61] going on to say that "this picture is likely to remain a cherished, savory example of commercial filmmaking at its most astute and achieved."[61] Arnold went further, saying that "Never Say Never Again is the all-time acted Bail picture ever fabricated, considering information technology conspicuously surpasses whatever predecessors in the surface area of inventive and clever character delineation".[61]

The critic for The Globe and Mail, Jay Scott, besides praised the movie, maxim that Never Say Never Again "may be the only instalment of the long-running serial that has been helmed by a first-rate managing director."[62] According to Scott, the manager, with high-quality support bandage, resulted in the "classiest of all the Bonds".[62] Roger Ebert gave the movie 3½ out of iv stars, and wrote that Never Say Never Over again, while consisting of a bones "Bond plot", was different from other Bond films: "For i thing, there's more than of a human element in the movie, and it comes from Klaus Maria Brandauer, equally Largo."[63] Ebert went on to add, "in that location was never a Beatles reunion ... but hither, by God, is Sean Connery as Sir James Bond. Good piece of work, 007."[63] Gene Siskel of The Chicago Tribune too gave the moving-picture show 3½ out of four stars, writing that the motion-picture show was "one of the best 007 adventures ever made".[64]

Colin Greenland reviewed Never Say Never Again for Imagine magazine, and stated that "Never Say Never Once again is a complacent male person sexist fantasy, where women tin can be only femmes fatales or passive victims."[65]

Retrospective reviews [edit]

Because Never Say Never Again is not an Eon-produced film, it has not been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967'south Casino Royale and Never Say Never Again "exist outside the 'official' continuity, [and] are excluded from this list, just every bit they're absent from MGM'due south megabox. But take my word for it; they're both pretty atrocious".[66] Retrospective reviews of the pic remain positive. Rotten Tomatoes sampled 53 critics and judged seventy% of the reviews equally positive, with an average rating of 5.60/10. The site's critical consensus reads: "While the rehashed story feels rather uninspired and unnecessary, the return of both Sean Connery and a more understated Bond brand Never Say Never Once again a watchable retread."[67] The score is withal more positive than some of the Eon films, with Rotten Tomatoes ranking Never Say Never Again 16th among all Bond films in 2008.[68] On Metacritic, the moving-picture show has a weighted average score of 68 out of 100 based on 15 critics, indicating more often than not favourable reviews.[69] Empire gives the film three of a possible five stars, observing that "Connery was perhaps wise to telephone call it quits the first fourth dimension circular".[70] IGN gave Never Say Never Again a score of 5 out of 10, claiming that the film "is more miss than striking".[71] The review also thought that the film was "marred with too many clunky exposition scenes and not plenty moments of Bond existence Bond".[71]

In 1995 Michael Sauter of Entertainment Weekly rated Never Say Never Again as the ninth best Bail film to that signal, subsequently 17 films had been released. Sauter idea the film "is successful only as a portrait of an over-the-hill superhero." He admitted that "fifty-fifty past his prime, Connery proves that nobody does it better".[72] James Berardinelli, in his review of Never Say Never Again, thinks the re-writing of the Thunderball story has led to a film which has "a hokey, jokey feel, [it] is possibly the worst-written Bond script of all".[73] Berardinelli concludes that "it'south a major disappointment that, having lured back the original 007, the film makers couldn't offer him something better than this drawn-out, hackneyed story."[73] Critic Danny Peary wrote that "information technology was dandy to run into Sean Connery render as James Bond after a dozen years".[74] He also idea the supporting cast was skillful, maxim that Klaus Maria Brandauer's Largo was "neurotic, vulnerable ... one of the most complex of Bail's foes"[74] and that Barbara Carrera and Kim Basinger "make lasting impressions."[74] Peary also wrote that the "film is exotic, well acted, and stylishly directed ... Information technology would be one of the best Bond films if the finale weren't disappointing. When will filmmakers realize that underwater fight scenes don't piece of work because viewers usually tin't tell the hero and villain apart and they know doubles are being used?"[74]

Legacy [edit]

Originally Never Say Never Over again was intended to outset a series of Bond films produced past Schwartzman and starring Connery as James Bond, with McClory announcing the next planned motion-picture show S.P.E.C.T.R.E in a February 1984 effect of Screen International.[75] When Connery appear that he would not reprise his role as Bond in another motion-picture show produced past Schwartzman three weeks before the deadline to purchase the rights to another film for $5 million, Schwartzman said that he was unlikely to make another film without a deal from MGM/UA and Danjaq.[48] [76]

In the 1990s, McClory appear plans to make another adaptation of the Thunderball story starring Timothy Dalton entitled Warhead 2000 AD, but the moving-picture show was eventually scrapped.[77] In 1997 Sony Pictures acquired McClory'southward rights for an undisclosed amount,[4] and subsequently announced that it intended to brand a series of Bond films, as the company also held the rights to Casino Royale.[78] This move prompted a round of litigation from MGM, which was settled out-of-court, forcing Sony to give up all claims on Bond; McClory however claimed he would proceed with another Bond picture,[79] and continued his case against MGM and Danjaq;[80] On 27 August 2001 the court rejected McClory's conform.[81] McClory died in 2006;[77] MGM'southward conquering of the rights to Casino Royale finally allowed Eon Productions to make a serious, non-satirical film adaptation of that novel the aforementioned year with Daniel Craig as James Bail. Ultimately, McClory's heirs sold the Thunderball rights to Eon, allowing the company to reintroduce Blofeld to the Eon series in the moving picture Spectre.

On iv December 1997, MGM announced that the company had purchased the rights to Never Say Never Once more from Schwartzman's visitor Taliafilm.[82] [83] The visitor has since handled the release of both the DVD and Blu-ray editions of the flick.[84] [52]

Meet also [edit]

  • Outline of James Bond

References [edit]

  1. ^ "Never Say Never Again (1983)". BBFC . Retrieved 13 June 2021.
  2. ^ a b "Never Say Never Once again". Box Function Mojo . Retrieved 20 September 2019.
  3. ^ a b Pfeiffer & Worrall 1998, p. 213.
  4. ^ a b c Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Ownership of James Bond" (PDF). Cardozo Arts & Entertainment Constabulary Journal. Benjamin N. Cardozo School of Law. 18: 387–436. Archived from the original (PDF) on 31 March 2012. Retrieved iii September 2011.
  5. ^ a b Chancellor 2005, p. 226.
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Bibliography [edit]

  • Barnes, Alan; Hearn, Marcus (2001). Kiss Buss Bang! Bang!: the Unofficial James Bail Moving picture Companion. Batsford Books. ISBN978-0-7134-8182-2.
  • Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN1-85283-234-7.
  • Black, Jeremy (2004). Britain Since the Seventies: Politics and Guild in the Consumer Historic period. Guilford: Biddles Ltd. ISBN978-one-86189-201-0.
  • Black, Jeremy (2005). The Politics of James Bond: from Fleming's Novel to the Big Screen . University of Nebraska Press. ISBN978-0-8032-6240-9.
  • Burlingame, Jon (2012). The Music of James Bail. Oxford: Oxford University Press. ISBN978-0-xix-986330-3.
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  • Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bail Films. New York: I.B. Tauris. ISBN978-1-84511-515-nine.
  • Lindner, Christoph (2003). The James Bond Phenomenon: a Critical Reader. Manchester University Press. ISBN978-0-7190-6541-5.
  • Macintyre, Ben (2008). For Yours Eyes Only. London: Bloomsbury Publishing. ISBN978-0-7475-9527-4.
  • Mankiewicz, Tom; Crane, Robert (2012). My Life as a Mankiewicz. Lexington, KY: University Press of Kentucky. ISBN978-0-8131-3605-nine.
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  • Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bond. London: Boxtree Ltd. ISBN978-0-7522-2477-0.
  • Pratt, Douglas (2005). Doug Pratt's DVD: Movies, Television receiver, Music, Fine art, Developed, and More than!. London: UNET 2 Corporation. ISBN978-1-932916-01-0.
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  • Smith, Jim (2002). Bond Films . London: Virgin Books. ISBN978-0-7535-0709-iv.

External links [edit]

  • Never Say Never Again at IMDb
  • Never Say Never Again at AllMovie
  • Never Say Never Again at Rotten Tomatoes
  • Never Say Never Again at Box Function Mojo
  • Never Say Never Again at Metro-Goldwyn-Mayer

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Source: https://en.wikipedia.org/wiki/Never_Say_Never_Again

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